Enjoy Work | Photography Club

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the nature of time 6:7

copyright karlgrupe 2009

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the nature of time 5:7

copyright karlgrupe 2009

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the nature of time 4:7

copyright karlgrupe 2009

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the nature of time 3:7

copyright karlgrupe 2009

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the nature of time 2:7

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the nature of time 1:7

copyright karlgrupe 2009

Below is a contact sheet from the nature of time 1:7 . I am investigating at this point the nature of choice - selection. I created a situation where I could apply the same methodology. Whether picking a fruit of picking an image - what brings me to this choice out of a batch - what impressions? What is involved in making that decision? Do I chose for what IS.. or do I chose with the anticipation of what COULD BE?

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Evening, low light and fireworks.

Although a strong emphasis will be placed on fireworks, many of the ideas here can be transferred on to low light work. 

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Let’s prep!

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Equipment.

Camera - with night time mode, shutter priority or manual mode.

Zoom lens.  28 - 200 is a good lens to get everything from a wide angle “scene” shot to the more detailed abstracts.

Tripod or bean bag. To secure the camera and keep it steady while your camera operates in a slower shutter speed to allow the time needed for light to accumulate in the exposure.

Remote Shutter Release or shutter release cable.  Allows for fingers not to touch the camera and create an initial movement or camera shake thus blurring the image.

Flashlight. You will be working in the dark. So to find things, look at the ground if you need to move the tripod, or adjust parts of the camera a small flashlight is essential.

Warm Dress. It’s night. Everything moves slower in the evening or dark. Exposures take longer to set up, there will be waiting time. Being warm will keep you focused and enjoying the process. Being cold really can change your mood and make you cut corners and thus miss opportunities.

iPod. If the area is secure and one does not have to be street aware for security purposes having a bit of music playing while taking your photographs can make you feel like you are creating your own video and add to the experience and keep the creative juice fresh.

A second pair of eyes. Security is paramount in evening photography. So is health and safety. Its dark. People don’t see things like tripod legs or a camera bag’s strap. Or they do and the see opportunity when you are not looking. Be aware of these things in the night. Also with the recent developments with the Terrorism Act 2000 Section 44 (don’t get me started) if you can approach an officer BEFORE you set up to shoot you may have better luck.

OK now we are ready to set off and shoot. Right? Well almost. Let’s do some planning first.

1. Weather. Clear skies. Cloud. Low cloud. Rain. Temperature. All will have an affect on the images. Lights will look different due to the atmosphere. If its cloudy out the sky will fill with smoke and clear, crisp shots may not be as possible as the smoke builds into the clouds or if the breeze is bowing the smoke in front of the fireworks.

2. Perspective.  Thinking through the look of the shot/s will have you already in planning mode. In fireworks you need to think of the show. Anticipation of other photographers jockeying for prime locations should be anticipated. Also just because you have set up a tripod does not mean that others will respect that. If its really crowded people WILL stray in front of your view. If you are shooting up into the sky this will not be a problem, but if you are looking to get architecture mixed in with the shots then unless you want people in the shot this will be a problem. Look around for things that will add value to your shots. Lakes, rivers, water bodies in general will reflect the works and the lights therefore adding a nice forground to the work. Architectural elements and details may work as well but anticpate the light being different in the evening and throwing your idea out the window. Be prepared with a Plan B. Choose an area with an open space and an unhindered view of where the fireworks will be exploding. Be on the lookout for trees or lamp posts or buildings that might get in your way. A silhouetted tree or even a person can sometimes look great in conjunction with fireworks. Arrive early since you may need to do some research about the best places to set up to get a great view of the display.

3. Camera kit set up.  The tools have already been suggested. Know where everything is and work with a light, minimal kit so you can easily pack and set up during a performance.

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Let’s shoot!

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The one thing that all low light/ evening and firework photography share is that it’s about the shutter.  This translates into it being about time. The longer the shutter is opened the more light builds up and drags across the recording material. Longer shutters leave long, arching light trails. To balance the long shutter speed and still get good exposures you will need to work with the ISO and aperture if in Manual mode. If you are in Shutter priority just changing the length of the shutter speed should have an effect. 

Since the shutter is open we want to have the motion blur but keep the static objects sharp. This is why a TRIPOD is essential. It minimises photographer movement. Subject movement against a sharp background makes the image interesting.

Therefore:

Use a long exposure

For SLR camera users, set your camera to Shutter Priority and select a shutter speed of 1-4 seconds. BRACKET by using different shutter speeds as you shoot to see which looks the best for your fireworks display. By setting the camera to Shutter Priority, the camera will choose the best f/stop for your selected shutter speed.

For point and shoot users, some cameras have a fireworks setting. But if your camera doesn’t have this feature, try setting your camera to “Night Portrait.” This is usually an icon of a person’s face with a star next to it. Explore your camera’s menus, buttons and knobs to see what you’ve got. Do not use “Night Action” setting because that will select a fast shutter in conjunction with a bright flash.

A SLOW to MEDIUM ISO.  Choose a film speed of 50 to 400 ISO. Faster speed settings can cause your shots to be grainy. Your camera’s main menu has this setting and you’re able to control this function.

Use FINE IMAGE QUALITY. Choose your highest/ best image quality.  A higher resolution image, will result in fewer images but if you ever want to go and print them afterwards you will have a print size resolution. It’s best to download your image card before you set off to shoot so you don’t run out of memory before the big finale.

SAY NO TO FLASH. Let the natural light create the scene. Leave the camera on AWB (auto white balance.

Finally ….

SHOOT. SHOOT. SHOOT. and then SHOOT!   Play. Bracket. Zoom in and out. Try zooming in and out while the firework is exploding. Work that shutter speed. Remember that if you are in Manual Mode set the aperture at f8 or lower.

A TIP. Arrive early. Be ready for the warning/ test fireworks. You can take a test exposure then.

A FINAL TIP. Don’t forget to catch a shot of the people in the crowd looking up into the sky and being lit by the fireworks. You can get some lovely portraits of people this way. Or look behind you!

Enjoy your evening!

Notes to discuss:

• Online vs. in store purchasing

• the difference between makes of cameras - sony to canon to nikon — where do you see the difference?

• what is a point and shoot?

• what is a dslr?

• which one is the right one for your needs A? or B.

• trading up - should you do it? moving from point and shoot to dslr?

• (of there is time) accessories - tripods, flash systems, lens, lens shades.

Next Photo Club : Wednesday, July 2, 2008 12:30 - 2:00 pm. Meet at Building Three.

Outdoor Portraiture 2

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© Karl Grupe 2008

Building on the lecture that took place last month we will be putting into practise some of the skills we heard about. Please bring along your digital camera - DSLR would be terrific - with batteries fully charged and the cards ready for some pictures.

If you have a friend or colleague who would like to model for you even better — bring them along as well.

We will be looking at portraiture not as a fly on the wall approach - but a studied one. Even if the shot is to look like a lifestyle image– we will still require a process.

I will be bringing along some goodies for you to get used to like light shapers, bouncers and reflectors — all so that you can see the effect that light has when shaped differently. Hopefully it will be a sunny day - so fingers crossed.

This club meeting will make you aware of all the elements to consider in outdoor portraiture so that your images in the future will be of a higher standard.

See you soon.

 

Outdoor Portraiture Workshop 1

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©karl grupe

Photographing portraiture can be challenging. The most important thing working for you is how well you know the person. The more of a relationship you have, the more of a “fun” process it can be. It is when you need to photograph strangers that the challenge begins to stack up.

The workshop you are taking part in today will be about the focused portrait. By this I mean one where you and the sitter are spending time working to create a look. This look can breakdown into two categories — traditional and lifestyle.

Here we will break into a talk about the two different lifestyle approaches. Talk through the pros and cons of both styles and see which ones you like. We will also look at the work at this stock agency to help define the two.

Now that we have an idea of the various style that are out there we can look at how we can begin to compose the shoots we are looking for.

I like to look at things in terms of pre production, production, post production.

And if we have the time we will shoot some portraits today!

See you at 12:30!

Rainy weather plan: Topic: Purchasing a Digital Camera.
Confused over the options that exist for buying a digital camera?

Looking to upgrade but not sure into what?

Photography is developing into a serious hobby and you are now looking to buy something with more creative potential?
We look at the categories of cameras which are out there – from digital point and shoot to high end DSLR and how you can make your purchase more fulfilling by understanding your needs and sourcing out the correct camera for them.

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Sunny weather plan: The Outdoor Portrait.
With the weather now brighter and warmer, after a 45 minute discussion looking at examples indoors, we move to the gorgeous outside to examine what are the important aspects that come into photographing portraits in the outdoor light. We look at subject matter, location, equipment, light, camera angles and body expressions.

Feel free to bring a friend to have as a model!

See you soon!

IMPROVE THE QUALITY OF YOUR IMAGES - KNOW YOUR LAB.

Wednesday April 2, 2008 12:30 - 2:00 pm

Have you ever wondered why your photos are not looking as polished as they could?

Have you felt a bit unsure about what to ask a lab when trying to get an image to look a certain way?

Have you felt out of your depth when talking technical in order to print the work you are looking for when at a lab?

Do you have images which you would like to turn into art works but not sure how to go about it - where to start?

We are pleased to have with us Anthony from Snappy Snaps Chiswick for this month’s PhotoClub.

A lab is a very important and functional part of your photography system. You can have all the best equipment, choose the best locations and lighting, have the perfect subject matter before you, execute technically perfect shots, but if your lab is not of a high standard, and not approachable to listen to your needs, then all that pre production and production will fail in another important step - post production or PRINTING.

Locally Snappy Snaps Chiswick has proven itself in both residential and commercial printing. They are an extremely friendly and approachable bunch who are passionate about serving their customers the best product they can. This club meeting is a chance to meet with one of their printers/ managers and understand the process of printing and photographer/ printer relationships.

If you want to see your prints turn out better than they have been in the past come along to this club meeting and learn about what you can do when you next visit a lab to imporve the quality of your photographs.

Space is limited so please register early.

See you there!

Hello everyone!

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MARCH PHOTO CLUB - THE PORTRAIT

March we will be focusing on portraiture. We will examine styles of portraiture, what makes a good portrait, working in different lighting conditions and working with people. If you are interested in photographing people, at home or abroad, then this will be a club you won’t want to miss.

MARCH 5th @ 12:30 - 2:00. Bring cameras and lunch and we’ll see you there.

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February saw us looking at low light photography and examining the effects of manual operation. We witnessed and practiced ways to correct in low light by use of using shutter speed, iso and aperture. The results allowed us to relieve ourselves of the hard and unflattering flash that tends to pop up immediately in AUTOMATIC mode. With the additional choice of manually adjusting the white balance we witnessed how, if we keep the camera steady, we can create a lovely photograph using existing natural, albeit low, light.

Following on from that we examined bringing in flash but with the adjusting of the shutter - extending the time to allow for increasing the background ambient light - we could combine ambient light with flash for interesting effects - a process known as dragging the shutter.

Finally we discussed “red eye” and what causes it and how to correct for it.

See you in a month.


Howdy dooo!

Happy New Year — ok ok so its a bit late — but I only see you folks once a month!

Hope life and love are lookin’ cheery for 2008 and now let’s get some crackin’ images to boot.

The January meet up had us checkin’ out some work shot to the theme “shooting from the hip”. Here is a cool and “hip”  shot using this method by Marten :

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February 6th, 12:30 - 2:00 we will be checking out low light image creation. For those of you frustrated by the flash popping up every time when you are shooting in low light, or having images blur or look out of focus althought the camera was on automatic, this is a club meet not to be missed. From photographing inside a room to outside in the night or fireworks - these two hours will work at educating you on the workings of low light and how to get that camera of yours ready to shoot for this light level.

See ya there.

Marija has arranged our date in January. Please make a note that we will be clubbing January 9th 12:30 - 2:00 pm.

The December club meeting took a look at visitors work and we had a chat about “shooting from the hip” as a method of photography. So the January sesh will review anyone who decided to pursue shooting from the hip. For anyone wanting to come on by but missed last sesh - “shooting from the hip” means photographing subjects without looking in the viewfinder or LCD screen of your camera. It’s an inconspicuous and instinct based way to take photographs of people who you don’t want to know that you are taking photos of. It can also be used by those who believe in the motto “don’t think, just shoot”. Here are some samples — From the Hip Group — take a look at the +1000 images and see what is effective and what is not so effective and then spend time inventing your own way of using this experimental method.

Post your work up on a online gallery and on the 9th we’ll project your images on the big screen and evaluate your process and results.

A great afternoon to show and tell about your favorite hobby and get feedback.

If you have questions please leave comments here and I’ll get back to you asap.

See you then!

 

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first class by Karl Grupe

The next club meeting is scheduled for Wednesday December 5th, 2007 12:30 - 2:00 pm.

We will discuss Photography and Composition and look at what sort of ingredients help in making a photograph successful. This will be a 60 min discussion. The following 30 mins will be a trouble shooting tech session, hopefully making you aware of what may go wrong for the Christmas season.

Please bring in any of your own work for critique and feedback.

Feel free to invite a friend and we’ll see you soon.

To know more about Karl Grupe, please visit www.karlgrupe.com.

Ciao!

 

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Polaroid off Hasselblad 503CM by Karl Grupe.

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What a fabulous group - in size and energy this was. I want to thank you for coming out on the 7th.

To recap, we spoke of all the options that are available and quite easily accessible/ affordable to take each of our photographic gems and create something for the home/ office or as gifts. As a guide we looked at 55max. We also reviewed Snappy Snaps.

Following along with the art and design thread we looked at samples from the Lomo, Holga and Polaroid SX70 cameras. Work from past students on Lomo and Holga . And a shot of mine on the SX70. The important fact about each of these is that they are FILM for starters and offer no exposure controlling options. The creativity is in matching subject matter to the character of the camera - something which is kinda lost in digital worlds. Also one must be prepared for happy accidents and/or creating them — throwing the film in the washing machine before exposing it was one suggestion. Seriously!

Our next club meeting is scheduled for Wednesday December 5th, 2007 12:30 - 2:00 pm.

We will discuss Photography and Composition and look at what sort of ingredients help in making a photograph successful. This will be a 60 min discussion. The following 30 mins will be a trouble shooting tech session, hopefully making you aware of what may go wrong for the Christmas season.

Feel free to invite a friend and we’ll see you soon.

Don’t forget to bring cameras for the meeting and comments for future ideas in the comment box would be appreciated.

Ciao.

 

Karl Grupe, London GB

Photographer, associate lecturer at Central Saint Martins College of Art and Design, curator, workshop designer specialising in the photographic arts.